Kudzanai-Violet Hwami’s bold paintings reveal a deeply personal vision of Southern African life. Many of her paintings feature self-portraits and images of her immediate and extended family. Powerful nudes are another point of departure, raising questions about the black body and its representation, as well as sexuality, gender and spirituality. Her influences include music, such as ZimHeavy & Afrobeats; literature, including the works of Aleksandr Solzhenitsyn and Carl Jung; and her own ongoing voyage of self-discovery.
The artist’s vivid work raises issues surrounding diaspora, displacement and identity. Her process involves experimenting with photography and digitally collaged images, using these to create large works on paper or canvas with intensely pigmented oil paint, and often incorporating other media and techniques, such as silkscreen, pastel or charcoal.
Recent group exhibitions include Les Ateliers de Rennes – Biennale d’Art Contemporain, curated by Céline Kopp and Étienne Bernard, Rennes, France (2018); Five Bhobh – Painting at the End of an Era, Zeitz MOCAA, Cape Town, South Africa (2018); Vos désirs sont les nôtres, Triangle France, Marseille, France (2018); Talisman in the Age of Difference, curated by Yinka Shonibare MBE, Stephen Friedman Gallery, London, UK (2018); Ladies by Ladies, Espace Art Absolument, Paris, France (2018); Afriques: artistes d’hier et d’aujourd’hui, Fondation Clément, Martinique (2018); and Discoloured Margins, National Gallery of Zimbabwe, Harare, Zimbabwe (2017).
Born in Zimbabwe, Kudzanai-Violet Hwami lives and works in the UK. She is represented by Tyburn Gallery. In 2019, Violet will present her first institutional solo exhibition at Gasworks.